Harry Styles' Kiss All The Time... album review: A funky existential crisis
Harry Styles, the former One Direction member, has been a force to be reckoned with in the music industry since his early days. With a solo career spanning over a decade, he's released three albums in just five years, with his most recent, Harry's House, winning prestigious awards. But with success came a realization: it was time to hit the pause button.
In an interview with The Times, Styles shared his thoughts on his journey, stating, 'I'd always thought, or hoped, that I was the kind of person who didn't need the dopamine hits that doing this job often gives you. But I hadn't actually removed myself from it and it's hard to eliminate the doubt that maybe if it all went away, I'd really miss it.'
So, at the age of 30, he took a bold step. He retreated to Italy, recalibrated his life, and embraced a new passion: marathon running. During this period of self-discovery, Styles found himself yearning for a deeper connection with music, viewing it from the perspective of a fan rather than a performer.
He shared his experience with BBC Radio 1's Greg James, saying, 'I went to see LCD Soundsystem a couple of times... and it was just so joyous, when you're watching them be so immersed in it.' This newfound appreciation for the art inspired his new album, Kiss All The Time, Disco Occasionally.
The album showcases a unique blend of Styles' signature sound with a fresh, fan-like perspective. It's a funky, existential journey, reflecting his desire to reconnect with music on a deeper level. As he puts it, 'I think the inspiration from them came of, 'Oh, that's how I want to feel when I'm on stage'. And then that led to the kind of music I was making.'
So, what can listeners expect from this album? It's a delightful surprise, offering a unique take on his previous work. Kiss All The Time, Disco Occasionally is a testament to Styles' artistic growth and his willingness to explore new avenues, even if it means stepping away from the spotlight for a while.
